The film's title and choice of protagonist have been criticized (gently but firmly) for unthinkingly confirming that heterosexual men are at the center of the universe. But this reading ignores the movie's constant (if empathetic) critique of American manhood, or what passes for American manhood: an entitled mental state that is really just boyhood with money and a driver's license. Mason, Sr., for all the love that he shows his kids, is an example of this. He's a great natural playmate for his son and daughter, joining them on the floor as they futz with toys and taking them on camping trips and trying to purchase their love with gifts as if every visitation were a miniature Christmas. But he doesn't express much real wisdom until his kids edge toward adolescence and become tight-lipped and undemonstrative, and he pulls the car over during a family trip to demand that they have real conversations (amusingly, Samantha makes the same request of him).
Go Into the Story is the official blog for The Blacklist, the screenwriting community famous for its annual top ten list of unproduced scripts. One useful feature of Go Into the Story is its bank of downloadable movie scripts.
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